While laying in bed this morning contemplating what to write, the idea popped into my head to do a post on my favorite Harry Potter book covers. Yes, this is just an excuse to indulge in my Harry Potter fanaticism. I guess I will be rereading the seventh book soon as well. It’s about time too. The Harry Potter bug usually bites me once a year and infects me with a need to reread a Harry Potter novel, usually the first book. But for now I’ll focus on the covers.
Back in July, Bloomsbury announced that it will publish new covers for the UK edition of the Harry Potter books this September. Last year, Scholastic released new covers for the US edition of the books for its fifteenth anniversary. Here, I will compare the covers (the original vs. the most recent US and UK covers). I will highlight my favorites and will list the covers I like that were published in other countries.
When placed together, it’s easy to see the different elements the illustrators chose to emphasize. Kazu Kibuishi, who illustrated Scholastic’s 2013 covers (The illustration of Hogsmeade above is by Kibuishi.), always tries to place the focus on Harry, which makes sense because the story is about him. So Harry is always placed in the foreground sometimes as larger than the other characters or with a spotlight (glowing glasses). Jonny Duddle, the UK illustrator of Bloomsbury’s September 2014 books, emphasizes the obstacles Harry faces. Harry is usually drawn as a smaller figure in comparison to the other images in the scene to portray the enormity of the events he faces.
Mary Granpré, who designed the original US covers, maintains a cheerful/innocent tone that was probably perceived as more appealing to younger kids. Even as the book became more serious the covers still maintained a sense of innocence. The same goes for the original UK covers, which were designed by Thomas Taylor, Cliff Wright, Giles Greenfield, and Jason Cockcroft. Children’s literature has evolved much since the Harry Potter novels were first published and the evolution of the covers certainly show that. These days, it’s not surprising to see more serious, scary images on children’s book covers. So, without further ado…
I feel guilty for liking Kibuishi’s cover more than Mary Grandpré’s original. I get a bit sentimental over books and hate seeing the covers change sometimes but I do find this cover more appealing than the first. I like that it features Diagon Alley because it’s the presence of Diagon Alley that convinces us that a secret, magical world is waiting to be explored. I also like that the illustration consists mostly of blue, which gives it a mystical feel, and that Harry is placed in a spotlight, which is formed by Hagrid’s size. Hagrid is so big that, along with the crowd of people, even the buildings seem to shuffle around to give him space. Plus, the color around Harry and Hagrid is lighter, like a halo. Hedwig, perched on Harry’s shoulder, also helps.
Harry’s face seems to have the same expression on both the original US and UK covers. This cover will always be a favorite simply because it is the first.
This is my second choice because of Harry’s expression. He looks a bit puckish here. (Click the newer versions for a larger image.) Continue reading