“A Long Day’s Evening” by Bilge Karasu

A Long Day's EveningNote: I started writing this on Saturday, June 13. Got lazy and stopped, then procrastinated.

It’s a contemplative Saturday. A day spent in deep thoughts as I consider this crazy world I live in. Even the sky is moody with storm clouds rolling in, blocking the brilliant sun. I woke early this morning because all last night I felt like writing but was unable to because I was tired. I was excited to be up early before the noise and tension that would come as my day progressed and my family woke with a clash and bang that would reverberate through my thoughts preventing me from thinking. For now, they are quiet. They are asleep.

My writing morning began with my Weekend Reads meme, which was on diversity in young-adult novels. It threw me into a deeper pensive mood. I sometimes hopped over to Facebook, which is rife with posts on the Rachel Dolezal fiasco and it tore my mind in two. I find the entire thing hilarious and I’m shocked that this White woman successfully posed as a Black person for 31 years, even becoming president of a NAACP chapter, but I’m also upset with her because part of me thinks—feels—that she took my culture and history for puppetry. Maybe that wasn’t her intention. Maybe she loves the Black culture so much that she wished she was Black and made herself so. After all, she did advocate for Blacks. I am confused. I don’t know how to feel.

I guess that’s why I see this time—this mood—fitting for writing about Bilge Karasu’s novel A Long Day’s Evening. One of the protagonists is also upset and confused by the changes in his society.

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A Legend Has Passed: Gabriel García Márquez

The prolific author Gabriel García Márquez.

The prolific author Gabriel García Márquez.

Who can write a novel sans dialogue but so engaging it keeps you up at night? Who can weave a story so loopy that it spins you in dizzying circles? Who can create a place so mystic that you never doubt its reality? Who?

Gabriel García Márquez.

Gabriel García Márquez, one of the greatest writers of all time and one of the reigning champs on the top of my bookshelf where all favorite authors reside, has passed. He died Thursday, April 17, in Mexico City. He was 87.

And the book—One Hundred Years of Solitude, the first book I’ve read by García Márquez. I am amazed by García Márquez’s talent and his clarity in his observation of humanity. This novel depicts the progress of civilization. It is one of the greatest novels I have ever read and it has left a deep impression on me. One Hundred Years of Solitude was my introduction to a profound artist and I am saddened to learn that he is gone.

May his soul now rest in peace.

 

“One Hundred Years of Solitude” by Gabriel García Márquez

Available on Amazon and at your local bookstore.

Available on Amazon and at your local bookstore.

I have always heard mention of García Márquez and his books are always recommended to me. At first I shied away from them thinking, as I always do, that since he is a literary novelist and most of his books are considered classics, his prose would be cumbersome and his plots a drag. One would think my mind would stop thinking this by now. I was pleasantly surprised, when I finally buckled down to read One Hundred Years of Solitude, that I enjoyed it and could hardly bear to tear my eyes away from the book to do other things. The story would haunt me throughout the day while I worked. I constantly wondered how the story would progress, how would it end, would I get confused by the cast of characters all bearing similar names? It was torture to be away from the book for too long.

I plucked One Hundred Years of Solitude off my bookshelf after reading a passage in Wonderbook (by Jeff VanderMeer) that states One Hundred Years of Solitude is a story written without dialogue. I found that amazing and wanted to experience such a story. I wondered if such a novel would be dreadfully boring. After all, many times dialogue is used to speed the story along or simply to give the reader a break from stacks of paragraphs or to showcase other facets of the characters. Like in Robert Jordan‘s Wheel of Time series where the characters often interject certain aphorisms and similes in their conversations that reveal who they are and where they’re from. For example, Siuan Sanche, the Amyrlin Seat, is from Tear and is the daughter of a fisherman so she often uses aphorisms and similes that include boats, nets, and fish.

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