I know nothing about the superhero stories, so I didn’t realize Angela was from the Marvel superhero universe when I got this. I picked up 1602: Witch Hunter Angela purely because of the cover, and the title — I like stories about witches. It wasn’t until I started reading the bonus story — Marvel 1602, #1 by Neil Gaiman — included in this volume that I realize it’s about superheroes but set back in the early 1600s.
1602: Witch Hunter Angela by Marguerite Bennett & Kieron Gillen, illus. by Stephanie Hans with additional artwork by Marguerite Sauvage, Irene Koh & Jordie Bellaire, Frazer Irving, and Kody Chamberlain & Lee Loughridge
Historical Fiction; Fantasy
In the altered realms of Battleworld, Angela and Sera are Witch Hunters, the scourges of King James’ England, 1602. In a land beset by magic and monstrosity, they seek a new and seductive evil-not witchbreed, but deal-making Faustians, who bargain with ancient creatures for unnatural power! Moral ambiguity? Fancy allusions? Marguerite making the most of that English degree?
Collecting: 1602: Witch Hunter, Angela 1-4, 1602 (Goodreads)
I had to read this one twice, which I usually do with comics to refresh my memory before reviewing them but with this one, I had to do a double read because I didn’t get the story my first time through. The plot was too episodic, and I couldn’t tell how Angela and her companion, Serah, were able to quickly identify the Faustians. And although I liked some of the mini-stories interjected throughout, they didn’t help to ease my confusion about the main plot.