“Writing is similar to trying to seduce a woman. A lot has to do with practice, but mostly it’s innate. Anyway, good luck.”
“….You have to be mindful when you’re writing something. I keep in mind to ‘not have the pen get too mighty’ when I write. I choose my words so the least amount of people get hurt, but that’s also hard to achieve. No matter what is written, there is a chance of someone getting hurt or offending someone. Keeping all that in mind, I try as much as I can to write something that will not hurt anyone. This is a moral every writer should follow.
But at the same time, when you need to fight a battle, you also need to reserve energy to be able to fight. Something like what you use to tighten your stomach. But that’s only when you really need to. If you recklessly make the pen mightier than the sword, you’re putting yourself in danger. That’s my personal opinion. Some may think otherwise.”
—Haruki Murakami, from Vulture’s collection of the best advice Murakami posted in response to reader-submitted questions. The interaction took place on the author’s website, Mr. Murakami’s Place (Murakami-san no tokoro), most of which is in Japanese, but Vulture translated the ones included in its column. Murakami is a contemporary Japanese writer. His most recent novels are Colorless Tsukuru Tazaki and His Years of Pilgrimage and IQ84.
Dillard is a great writer, but I did not have the patience to enjoy or appreciate her little book on writing. I snatched Dillard’s book from the Barnes & Noble shelves because I heard of her before and I wanted to know what she had to say on writing.
I was excited to begin Dillard’s book since I’m often told how great she is. I thought that she would share some tips on how she got to be considered great. She does this, kind of, by using little anecdotes that highlight a certain quality that writers should have, or to give advice on the writing life. This is great but I would appreciate it more if I wasn’t impatient while reading.
I could not tolerate Dillard’s slow tread to get to the point. To me, some of the anecdotes go around in circles, like the loops Dave Rahm makes in his air show, before finally getting to the message. This pissed me off. By the way, I simply do not get why so many pages were spent discussing Dave Rahm. Of course, I liked it when Dillard got to the point straight away – “Write as if you were dying” – and then explain what she means or give the anecdote after stating the point.
I also couldn’t stand the weather in this book. It’s cold. Most of the book is spent discussing Dillard’s experience writing in a cold cabin in some woods. I have no idea how she made it through that. I abhor the cold though I live in a cold place and I cannot fathom writing while I froze. The weather turned me off.
Still, a part of me appreciates this book and has fallen in love with Dillard’s style and her descriptions of things and the way she sews the lesson into the seam of the anecdotes. It’s a small part of me but it greatly influences the rest of myself so I did not dash aside the book when impatience slowly tried to rule.
I will read this book again at a time when I can relax and appreciate the way Dillard crafted it. At a time when I can truly appreciate Dillard’s use of language and will not be put off by the pages spent discussing Dave Rahm. I will understand why she spent such a long time discussing him when I’m not trying to rush through the book,.
This one is not for a novice: someone who’s just entering the battle. This is for those who’ve been there a bit and need some insight or guidance. Dillard does make some great points and is funny in a dry sort of way.